A fun homage to Géricault’s – The Raft of the Medusa

Here’s an fun take on one of my favorite paintings. I’d love to see the original painting in person. Everyone mentions it’s scale and well it’s controversial to boot! Someday I shall get to the Louvre.

An illustrative painting, it was based on real events, illustration as painting or vice-versa. Lots more information at the Paintings Wikipedia Article.

Click the images below for larger versions.
modern_gericault_homage.jpg gericault_original.jpg

As Patrick mentions in the comments, seems The Pogue’s lampooned the image as well for their LP Cover – Rum, Sodomy & the Lash, in 1985. I could not find a larger or cleaner version, but here’s the image from their website.

RumSodomy.jpg


A Perceptional Prank on Damien Hirst

Here’s an interesting development on an earlier post of mine.

An artist named Sarah created a replica of Damien Hirst’s Diamond Skull, covered with 6,522 Swarovski crystals and dumped it outside the gallery in the middle of the night on top of a pile of trash. I can only imagine the reaction of the first person who saw it. Here are some photos of it outside the gallery.

Replica of Hirst's The Love of God Diamond Skull Replica of Hirst's The Love of God Diamond Skull

“The viable, surefooted, impenetrability of his persona”

Lucien Freud, Reflection, 1985“One may recognize the latest work and the earliest, as well as the successive styles between, as one man’s uses for art. That is not to account for them. Painting offers itself unaccounted for, uninterpreted, unexcused. Freud’s rather few remarks about art in general set store by the defiantly inexplicable spell that the image arts achieve at their peak. The viable, surefooted, impenetrability of his persona is intended. Again, one is now unaccustomed to a daemon like this in the polite community of the visual arts, but in the past art was full of such people. This is how the young men of the Renaissance must have been, with their eyes on anatomy and the main chance, on the street corners at evening when the botteghe came out and the virgins were hurried indoors. I have been able to confirm rather few even of the relevant details of Lucian Freud’s childhood and how he came to painting. There is no evidence for most of the circumstances, least of all the highly coloured ones, that have been described. These myths were not Lucian’s myths.”

From Lawrence Gowing, “Lucian Freud”

Click the image for a very large detail of this painting, his brush strokes are phenomenal. You’ll have to scroll to close the large image, but it’s worth it!

Damien Hirst’s diamond skull

hirstskull_front.jpg hirstskull_side.jpg

This has me intrigued, is this art, or simply great marketing? I think it’s more marketing than art. It’s a nice piece, skulls are just fascinating, and so are diamonds, they evoke a lot of feeling in most folks. That’s it’s allure, but is it worth a $100 million? Does this make Damien, for a single piece, the highest paid living artist of all time so far. I guess so. Maybe that’s an art in and of itself, it’s more marketing isn’t it.

$20 million to create, sell it for a $100 million, $80 million profit! He’s good.

Then there’s the question of the diamonds, eight and a half thousand of them. Ethically sourced! How the hell does one ethically source 8,500 diamonds! For some reason I don’t buy that.

It’s going to be intriguing to see if he can sell it for that price.

Here are some links to articles with more information on the skull:

Hirst’s diamond creation is art’s costliest work ever: The Guardian

Damien Hirst Says $100 Million Diamond Skull Is `Almost’ Sold: Bloomberg

Damien Hirst diamond encrusted skull: Art News Blog

George Michael eyes Hirst skull; for $50 million; that’s low!: ITV News